Summary:
In this module, I have studied the art of storytelling, storyboarding, and strategies for unlocking a “stuck” story. I focused on linear and nonlinear stories, which are key components in every storyboard. I researched and analyzed several motion graphics featuring a unique combination of both text and images. Specifically, I have examined how pure text and visual images interact with each other. Lastly, I created a motion video using Adobe After Effects software, featuring a brief and humorous introduction of myself.
Reading and writings:
“Animated Storytelling” by Liz Blazer
Chapter Two (Storytelling):
The author distinguishes between two storytelling paths. First, the “three-act structure: problem solved,” in which a linear story is presented chronologically. The character faces a problem, works towards a solution, and resolves it at the end. Second, the nonlinear structure, where we can deviate from the strictly chronological path. For example, we start and end the story in the same place, and in between, we can go wherever we want. In my opinion, more and more TV shows and movies embrace this form of storytelling.
Chapter Three (Unlocking your story):
Here, the author addresses an important challenge in storytelling: when the story isn’t “sharp” enough, not well-defined, and not coming to life. Several exercises and techniques may come to our rescue.
For example, when we have a narrative, we can introduce the conflict early on or closely examine the character to reveal more of his secrets and weaknesses. When we lack a narrative, the authors suggest other techniques. My favorite is Anthology, where we explore the theme through various tangents while keeping them connected to it (e.g., the movie “Magnolia”).
Chapter Four (Storyboarding):
Here, the author discusses the importance of storyboarding for refining the visual elements of a script and explores various techniques to achieve this. For example, by using thumbnails for story display, we can easily incorporate additional features such as staging or transitions. Another strategy involves breaking the total running time into segments of the story. Overall, I find these techniques very useful and essential, as they simplify the storyboarding process.
Research to inform:
Here, I aim to examine the relationship between text and images in motion graphics. The videos I chose display different aspects of this interaction.
In this video by Google, we see an excellent use of letters, graphics, transitions, and music. The text interacts dynamically with the music, reflecting the inputs that users type and provide in the app, while the visuals represent its output. This dynamic combination mirrors the user experience on this platform.
This video captivates the audience with his interactive way of conveying the message through different patterns and graphics on each movement. Always with the expectation to receive each idea in a different and dynamic way. The text displayed in the video is very subtle yet animated in an original way, featuring motion graphics and unexpected elements.
In this engaging video, viewers are treated to a visual experience where striking images interact fluidly with the accompanying narrative. The use of Whiteboard Animation techniques with handwritten text enhances the storytelling, allowing complex ideas to be broken down into easily digestible segments. Through a combination of vibrant illustrations and clear, concise explanations, the overall message is not only effectively communicated but also memorable.
Create:
My visual motion introductory video features my favorite elements: animation, humor, and Taylor Swift. First, I created the animation using Adobe Animate software. Then, I compiled all the animations and associated video segments in Adobe After Effects software. Lastly, I recorded the audio in Audacity software. I combined all those audio and video segments into one short clip and uploaded it to YouTube. I found this experience very challenging yet enjoyable. I learned about the importance of creating the plot and preparing all the elements before shooting time. I also learned about the precise and dynamic interaction between my audio and the visuals, which is essential for a successful movie.
